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The E Street Band fill the supermarket aisles with a lush update of Roy Orbison-style operatic rock 'n roll. At times the sentiments come close to Tin Pan Alley cheesiness. In Kingdom of Days he rhymes "I love you", "I do", and "blue", while also drawing attention to the moon and sun. Yet Springsteen is too substantial a songwriter to fall into cliché. The dark heart of love is glimpsed in the desperate epic Life Itself, while even the simplest songs contain hard won wisdom. On rare occasions when he strays from amour it is to celebrate hearty male friendship. The album's opener, Outlaw Pete is a sprawling folk saga, comic and touching, with a wild arrangement that hearkens back to the kind of music Springsteen made in the early 70s, before he really started to define himself. The epic qualities of the E Street Band's sound ( albiet without the Phantom Dan ) is easily pastiched (indeed, others have built entire careers on it, from Bon Jovi to the Hold Steady) but Springsteen is moving forward by looking backwards. He has clearly been listening to 5th Dimension era Byrds, The Beach Boys, West Coast Psychedelia and even pre-rock big band ballads. The arrangements are as likely to include swoonsome strings and choral singing as Clarence Clemons' trademark ripe sax. This, I suspect, is Springsteen's idea of a pop album. But don't accuse the Boss of going soft. If anyone can make romance sound like manly business, Bruce can, bring on the party
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